By Emma Heath
Dean Craig’s screenwriting career has taken the sort of trajectory many dream of. From working as a runner… to getting his first feature, Caffeine, produced… to his script Death at a Funeral
being made not once, not twice, but THREE times (in the UK, USA and India).
He now enjoys a TV and Film career spanning both continents. So, what can we learn from him? I’ve distilled his one-hour conversation with Chris Jones into ten take-home points.
Jen Handorf, veteran of five Brit low budget horror flicks, shared her experience at the London Breakfast Club today.
It was an insightful conversation with a producer who has been prolific in production and effective in distribution and sales.
Listen to the podcast below…
By Tom Kerevan
Another icy morning, another warming breakfast and another 80 or so film-makers hungry for an inspiring talk. And the chance to meet Ridley Scott.
Well not quite… Carlo Dusi is Head of Business and Commercial Affairs at Scott Free London, the younger smaller sibling of the American office. Chris kicks things off with the elephant in the crowded room…. Will Ridley read my script?
Blog by Diane Larowska
As I ran past Peter Capaldi crossing Cambridge Circus on a gloriously sunny Monday morning on my way to “Breakfast” with Jane Espenson and Brad C Bell, I knew the goddess of geek was smiling down on me.
Writer, producer and TV deity Jane met the fantastically gifted writer, actor, producer Bell through twitter. A friendship and later a creative partnership was born.
Blog by Q-ell Betton
On the 28th October, on a somewhat over hyped, weather wise, blustery day, I and a collection of would be screenwriters, filmmakers and other excitable persons headed to the Phoenix Arts club in central London for a Q and A session with Brad Bell (Husbands, Pop Up Video) and Jane Espenson (Buffy, Gilmore Girls, Battlestar Galactica) It proved to be an interesting and informative hour. Here are ten things I took away from the session.
‘Create your own power…’ That’s one key piece of advice from filmmaker and now self distributor Marcus Markou.
‘Distrupt’ is another central idea of his. If the system doesn’t work for you, create a new system, disrupt the old. This is how future thinking Marcus managed to get his low budget family comedy drama ‘Papadopoulos and Sons’ in UK cinemas, gaining massive box office (per screen average) and then doing the same around the world.
By Tom Kerevan
In a film world obsessed with structure, there was something refreshingly honest about John Yorke standing up in front of a room full of writers and stating that structure gurus had him seriously worried. So worried, he’d become one.
The irony was not lost on him.
Where to start?! Having stepped into the breach at the last minute, and with the Breakfast Club now the Pimms O’Clock Club, I didn’t know what to expect from Iain Smith. All we knew was that his IMDB page reads like your average DVD collection.
What followed was an absolute pummeling of sound bite after sound bite of film-making wisdom from an uplifting Scottish soul.
By Tom Kerevan
When Chris asked if I was going to be blogging about the morning’s Breakfast Club, a voice wafted over my shoulder: “As long as you don’t call the speaker a stupid twat.”
Meet Mark Talbot, comedy producer at Hat Trick productions and a man who likes to make his own introductions. Sorry Mark.
A Very British Breakfast by Philip Lawrence
I’ve been to a few of the Breakfast Clubs before, as well as to the 2012 Screenwriter’s Festival and most of the talks I’ve seen have been conducted by people with lots of experience of giving lectures on their specialist subject. It can sometimes be very (for want of a better word) American. An inspiring speaker with gusto that charges your batteries and sends you back out with your pen already in your hand. It can be a thrilling start to your day.
Kick ass session with one of the founders of crowdfunding, Danae Ringleman and Oscar winning producer Brad Wyman. Exceptional!
Hosted at the Barbican, this sell out breakfast with Robert McKee was a fascinating view on the evolution and value of story telling.
'Don Draper is shame wrapped inside shame wrapped inside pretty' said Lisa Albert to a crowded to capactity Breakfast club on the hit show 'Mad Men' A rare chance to get an insight into how the characters for shows like Mad Men are concieved, matured and written, season after season.
While most writers are familiar with the template of the Hero’s Journey, its counterpart, the Feminine Heroic, may be difficult to recognize (even for women).
Yvonne, who has worked in script editing, story development and production for the BBC, Granada, Channel 4 and ITV, working on Eastenders and Crossroads delivered a kick ass practical session that kicked September off with a bang.
Australian script guru Linda Aronson joined us for an interactive session where the group brainstormed literally hundreds of ideas before lunch.
US script guru Linda Seger kicked off our very first Breakfast Club, enthralling a capacity audience with a conversation about the writers creative voice, integrity and understanding that your life experience informs your writing. Inspirational and thought provoking.