In 2016, the LSF will be held at Regents University in Regents Park, from the
2nd to 4th of September. Directions to the venue, here.
For the three days, over 1,000 screenwriters, filmmakers, producers, practitioners, actors and executives congregate to share ideas, build powerful relationships, hear pitches and get a creative shot in the arm.
Most delegates report massive breakthroughs in their understanding of the business and craft, as well as huge acceleration toward their career goals. However, perhaps the most vital part of the festival is the inspiration and sense of belonging you will experience when you attend. Year on year, delegates report that the community at the festival is one of the main reasons they return.
During the three days of the festival there are around 130 structured seminars, lessons and workshops.
There are four separate strands so that at any one moment, you can choose from up to four different sessions.
You do not need to book a place for any of these sessions, they are all on a first come, first seated basis. Occasionally, some sessions are so popular, seating will run out. We will try and give you advance warning about these sessions so you can get there early if you want to attend.
Between sessions there are half hour breaks, with a ninety minute break for lunch. Onsite, there is breakfast, lunch and dinner available, plus drinks, tea and barista coffee. The breaks are a great opportunity to network with delegates and speakers.
In the evenings (Friday and Saturday of the festival) we host networking drinks which most delegates and many speakers attend. It’s a chance to unwind, consolidate old relationships and create new relationships.
Additionally, on the Thursday night before the official opening of the festival, there is a networking party where you can pick up your pass early.
Over half the delegates usually attend this Thursday event.
On the Saturday night of the festival we host The British Screenwriters' Awards, presented by Rhona Cameron.
As a festival pass holder you are invited to attend the awards on the Saturday night of the festival (seating limited to 450).
There is a floorplan of the venue (that will be updated in September), here.
We also film most sessions so you don’t miss out. These sessions form an ever growing library of world class seminars and workshops that are available to delegates only.
When you sign up you will get access to all past video sessions as well as the sessions from the festival for which you have purchased a pass. You can watch a sample video, an ‘In conversation with Harry Potter director David Yates’ by clicking, here.
Every year we have around 150 industry professionals who come and speak. In the past we have played host the worlds biggest screenwriters, producers, agents and directors.
These industry experts have included…
Over 600 industry professionals have now presented at the LSF including execs and producers from the broadcasters, Hollywood studios, UK productions (large and small and everything in between).
Alongside the industry professionals, world class screenwriting tutors and practitioners from the UK and Hollywood also attend, providing what are often the most widely attended sessions of the festival. They have included...
There is an up to date list of speakers, here (there will be around 150 by 27th August 2016).
Join us in celebrating great screenwriting at the Great British Screenwriters' Awards at the festival. It’s about time someone put the originators and architects 0f great storytelling front and centre.
And we rose to the challenge in 2014 and launched the British Screenwriters’ Awards.
Hosted by screenwriter, writer and comedian Rhona Cameron, you can be sure it will be a hilarious and star studded night to remember.
As a festival pass holder you are invited to the Awards on the Saturday night of the festival though you should remember that seating is limited.
You can find out more about the awards, here.
During the festival there are also separate events that are included as part of your ticket. You must apply for each of these events ahead of the festival and the process for application differs slightly for each.
Most popular of these additional initiatives is the Great British Pitchfest where you get the chance to pitch your projects to execs, producers, agents and filmmakers. Each delegate gets ONE ninety minute slot for the Pitchfest and the booking system goes live on 27th August 2016.
These slots go fast so make sure you are available to book yours (we will email you about this closer to the time).
During your ninety minute slot you can pitch as many execs as you can get to – there is a queuing system and the most popular execs will have the longest queues.
Thinking strategically could get your up to eight pitches with little or no waiting in line, or as few as three if you are late, don’t plan and make poor choices. Success in the pitching will be entirely up to your preparedness, and of course a killer idea.
The Hollywood Pitchfest is a whole new evolution. We arrange video conferencing meetings with execs in Hollywood and you get to pitch online at the festival.
It's a whole new world and whole new game. It's he same deal as the Great British Pitchfest and slots last 90 minutes. You cannot pitch at both the British and Hollywood Pitchfests, you need to choose one.
You can see the Pitch 70 or so Execs attending the Pitchfest here (most will go online in the Summer).
You can read more about the Pitchfest, here.
The objective of the Labs is to assist writers who have a fully developed screenplay in a specific genre, to move their work to the next level.
There are six three hour Labs at the festival, covering a variety of disciplines and topics. Within each Lab there is space for up to six writers. Each year the labs are different.
Past Labs have included ‘Writing For Disney with Finding Nemo writer Dave Reynolds, Writing The Hollywood Thriller with Basic Instinct writer Joe Eszterhas and Writing For Channel Four with former Channel Four Commissioner Gub Neal. Submissions open 11th July 2016 and close 31st July 2016 and we encourage the writers and expert leading each Lab, to connect and begin work before and after the festival.
Successful applicants are announced on 25th August 2016. More here.
The actors table read is an opportunity for you to get your screenplay worked on by professional actors and a director. This has proven to be our most successful initiative to date with 99.8% positive feedback from the 200 people involved last year.
In 2016 we aim to have 144 slots available.
If you submit a script to the process and you are selected, you will attend a one hour session where you, the director and the actors will work on one sequence (between 3 and five pages) of your script.
These are closed sessions and they run throughout all three days of the festival. Submissions open on 6th June 2016 and close 15th July 2016. Successful applicants will be announced on 18th August 2016.
More here, including a short behind the scenes video.
You can see the actors and directors who will work on your scripts, here.
After each session, speakers are invited to meet delegates in round table sessions that we call ‘Script Chats’.
These informal and intimate chats can often run for an hour or more. It’s our way of giving direct access to specific experts so that if you want to, you can tale the conversation to the next level. We have found that even the biggest names are happy to spend time coaching and sharing in Script Chats.
You do not need to book a place at a script chat, just turn up. Sessions that are followed by a script chat will marked accordingly on the schedule. More here.
Submit a two page outline and the first ten pages of your script and we will offer expert feedback in a fifty minute one on one session.
The booking system for Script Reading goes live on 4th July 2016. You can choose your slot when the sessions go live (last year all slots went in the first hour). If you get a slot, one of our readers will connect with you before the festival.
On the day and time of your booking, go to your appointment with a print out of your outline and first ten pages of script, and you will be met by your script doctor. At any one time, six script doctors are in session and we aim to offer help on around 100 projects. More here.
You can read up about the team of script doctors, here.
We also operate a drop in desk over the three days of the festival. So if you want to just rock up with your script, get some feedback or ask for career advice, head over to the Script Surgery and book yourself a slot in one of the drop in sessions.
Do you have legal issues you need a lawyer to help you with? All delegates at the festival have the option to apply for the legal clinic that is run by Blue Pencil Media.
You can ask any question you like and their legal team will do their best to answer your concerns. More here.
Get a full half hour with seasoned film producers, distributors and executives.
Have your project grilled by a team of heavyweights. Meet The Experts is not for the faint-hearted and you can be certain of a very tough conversation. Think Dragons Den but for writers concepts and projects. More here.
Feel the fear and do it anyway! The idea is simple… the elevator doors open, you step inside, only to find yourself alone with a top executive… You have 90 seconds to get them to accept your business card!
The elevator pitch will take place several times throughout the festival and always during breaks so you never need to miss a session. No booking needed, it's first come first served. More here.
Read the script, watch the film or TV show, then meet the writers, filmmakers, producers at the festival. This is a rare opportunity to get access to the script that was taken to set, then follow it through the journey of production, examining changes which can be discussed during the session at the festival.
In the past we have run ones we ran with Joe Eazterhas and 'Basic Instinct', Ted Tally and 'Silence Of The Lambs', Dave Reynolds and 'Finding Nemo' and Carl Gottlieb with 'Jaws'.
During the festival and within the main sessions there will be many ‘interactive’ workshops too, where you may be invited to submit a script for editing, or to read a script in preparation for a special ‘script to screen’ session, such as the one with Joe Eszterhas and Basic Instinct that we ran in 2013 or Silence Of The Lambs with Ted Tally in 2015.
These sessions will come online in the late Summer and we will send you emails about them as and when they lock down.
You can sign up now and get your pass HERE.
Passes cost £345 (inc VAT).
We offer a full refund if you cannot make it (up to 30 days before the festival).
After that you can transfer your pass to someone else or defer your pass to the following year. Just let us know if you want to do this.
One pass will get you full access to the festival. Last year we sold out nearly one month before the festival, so don’t wait to get yours.
You will need a pass BEFORE you can book any of the additional sessions such at the PitchFest, Labs or Actors Table Read.
Many delegates miss out on great stuff because they don't plan their festival ahead of time. Read the emails we send and act on submissions and deadlines.
Once you sign up you will be sent an introductory email with a link to the Festival Network called LSFConnect, where we share the archive of festival videos (over 150 seminars online now).
Inside the network you can also connect with other creatives and start your festival experience right away. There is a short introductory video that you should watch BEFORE joining the network. You can watch that video here. If the link that you have been sent has expired, drop us an email (email@example.com) and we will get a direct invite sent out to you.
You will be sent a special delegate guidebook (PDF link via email) which you should print out and read.
This will give you an overview of the whole event and offer additional detail where needed. This book will be updated two wees before the festival and should be re-downloaded and printed out at that time. We will email you about this update when it becomes available. At the festival we will also give you a printed copy.
Again, many delegates skip printing and reading this document and subsequently miss out on many terrific initiatives simply because they did not know about them until deadlines passed. Spend fifteen minutes sooner rather than later, getting to grips with everything on offer.
When you arrive at the Festival you will be able to collect your Festival pass from registration. Without your pass you will not be allowed entry into the events, so please don't lose it.
You can collect your pass on the Thursday Night Networking party on the 1st September 2016, or on the Friday morning of the festival. We advise getting to the venue early as there may be bottle necks for the first hour or so.
Registration will stay open during the festival in case you cannot make Friday morning.
In the three days running up to the festival (Tuesday, Wednesday and Thursday) we run a series of one day masterclasses.
We have designed these to be as useful as possible for delegates, especially those traveling from great distances. They are competitively priced at £48.50 per day (for LSF delegates).
By far the most popular is Pitching Thursday Evening with Pilar Alessandra as it sets you up for the pitch of your life in the Great British PitchFest. You can get more information on Festival Week, here.
There is a list of current dates and deadlines on the website, here.
If these deadlines change, we will let you know via email and update the page accordingly.
Dates WILL CHANGE, it's inevitable. So again, please check the emails we send you.
We pride ourselves on having the best support team possible. Each and every one of them will help deliver the most extraordinary experience for you at the festival.
You will also find that like you, most of them are also writers who have chosen to support you and your career. They are officially the superheros of the festival.
Want more convincing? We have a ton of feedback from both delegates AND speakers (and execs) that you can read, here.
We get feedback to help share the awesome experience of the festival with others, as well as getting insight into how we can improve even more year on year.
People come to their first LondonSWF for the sessions and the speakers. People return for the feeling of belonging and the other delegates. The festival is like an annual family gathering, a tribe if you like, of people who get who you are, and you get who they are. We are not alone, and as a community, we are a movement.
This sense of belonging is repeatedly reported as the single most important aspect of the festival.
Yes there is and that’s what is SO awesome about the festival. We have lovely staff who will answer your questions, as will the veteran delegates who offer so much too. Getting the most from the festival is all about getting prepared and then letting yourself go, allowing the experience to take a hold of you.
Get your pass here.